Mazes

[[Image:10print-77,78-NM-letters.png|left|thumb|160px|10 PRINT CHR$(77+RND(1)*2); : GOTO 10]]

[[Image:10print-77,78-NM-letters.png|left|thumb|160px|10 PRINT CHR$(77+RND(1)*2); : GOTO 10]]

Before meandering through reading code as choreography and watching its impact on how we can interpret 10PRINT, specifically, in that manner, let’s briefly cast an eye on the creative dimension of computer-enhanced choreography, for there must be no doubt about the importance of the effect of computer programming and applications on the creation of dance. Life Forms Dance Software, a product of Credo Software, was the preëminent application for animating and simulating a choreographic vision since the late 1980s. Not only was it one of the first, but it was soon put to impressive use and effect by Merce Cunningham in ''Trackers'' (1989). This software enhanced choreography as imaginative work as well as choreography as a bodily practice moving through space in myriad combinations of movement.

Before meandering through reading code as choreography and watching its impact on how we can interpret 10PRINT, specifically, in that manner, let’s briefly cast an eye on the creative dimension of computer-enhanced choreography, for there must be no doubt about the importance of the effect of computer programming and applications on the creation of dance. Life Forms Dance Software, a product of Credo Software, was the preëminent application for animating and simulating a choreographic vision since the late 1980s. Not only was it one of the first, but it was soon put to impressive use and effect by Merce Cunningham in ''Trackers'' (1989). This software enhanced choreography as imaginative work as well as choreography as a bodily practice moving through space in myriad combinations of movement.