Regularity
From Maze
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Consider the example of this lesson in stitchcraft taken from The Young Ladies’ journal Complete guide to the work-table. [http://epc.buffalo.edu/ezines/elp/issue-1/article_images/ppg256_marino_graphic_3.png] | Consider the example of this lesson in stitchcraft taken from The Young Ladies’ journal Complete guide to the work-table. [http://epc.buffalo.edu/ezines/elp/issue-1/article_images/ppg256_marino_graphic_3.png] | ||
The patterns offer a grid, a repeated pattern, and a complex emergent whole. [Footnote “The ppg256 Perl Primer”] Similarly, the patterns are created through a repeated process, as in this example of the “Square Pattern” from the same source. | The patterns offer a grid, a repeated pattern, and a complex emergent whole. [Footnote “The ppg256 Perl Primer”] Similarly, the patterns are created through a repeated process, as in this example of the “Square Pattern” from the same source. | ||
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For this pattern: | For this pattern: | ||
1st Row: Work one plain row. | 1st Row: Work one plain row. | ||
2nd Row: One ordinary stitch, and twist the thread twice round for the large square. Repeat to the end of the row. The first and second row are repeated alternately. (126) | 2nd Row: One ordinary stitch, and twist the thread twice round for the large square. Repeat to the end of the row. The first and second row are repeated alternately. (126) | ||
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These examples demonstrate that while the systematic theorization of patterns such as 10 PRINT may emerge periodically, the production of those patterns are deeply woven in the traditions of decorative craft. | These examples demonstrate that while the systematic theorization of patterns such as 10 PRINT may emerge periodically, the production of those patterns are deeply woven in the traditions of decorative craft. | ||
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== Textile Grids == | == Textile Grids == | ||
