Randomness
From Maze
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(→Computational Randomness in Aesthetic Design) | (→Computational Randomness in Aesthetic Design) | ||
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Writing with perspective in 1970, Noll highlights randomness as an essential feature of the computer in relation to the arts, “The computer is a unique device for the arts since it can function solely as an obedient tool with vast capabilities for controlling complicated and involved processes, but than again, full exploitation of its unique talents for controlled randomness and detailed algorithms could result in an entirely new medium – a creative artistic medium.” | Writing with perspective in 1970, Noll highlights randomness as an essential feature of the computer in relation to the arts, “The computer is a unique device for the arts since it can function solely as an obedient tool with vast capabilities for controlling complicated and involved processes, but than again, full exploitation of its unique talents for controlled randomness and detailed algorithms could result in an entirely new medium – a creative artistic medium.” | ||
| − | [Perlin Noise] | + | [Perlin Noise for organic texture (clouds, flames, etc.)] |
[Random values for mutation in genetic algorithms] | [Random values for mutation in genetic algorithms] | ||
